So, I was offered a position in the Civic Orchestra of Chicago, which I have accepted. Here is a rambly pro/con narrative of sorts to capture all my feely feelings.
Pro: I won an audition! Given, a recorded audition for which there were multiple spots open, but an audition! And…
Pro: Winning said audition validates a lot of things I had started to doubt, including my own playing and musicianship in general, my ability to stay cool and be confident during an audition, and also the manner for which I prepared for said audition which was, if I might say so myself, extremely efficiently. To take what J said, I was like Seal Team 6, and I shot that audition in the eye. Major serious props to that Win an Orchestral Audition class I took at Eastman, because even if I was all “meh, whatever” at the time, all of that has stuck with me.
Con: The pay is…eh!
Pro: Hopefully the connections I make from being in this orchestra will provide more work! Also, being paid ANYTHING to do something weird and artistic and specialized (Okay, but the thing is that if I keep justifying myself like that, I’m going to end up living in a box at some point).
Con: People tell me the conductor is crazy.
Pro: Conductors are crazy. I’m pretty sure that’s in their job description. The more applicable question in this instance: is the conductor a smarmy ass-hole? From what I hear, this guy is not. So. Okay.
Con: People tell me that some of the members of the orchestra are younger grad-school types who feel ENTITLED to things and have ‘tudes. This sort of thing drives me crazy. But. I’ll counter this by caring a LOT and feeling all the things, or whatever.
(Look, I don’t mean to break out into a mini-rant here, but I care very deeply about orchestras and classical music and music in general and the preservation of such things. Not just because that’s my line of work, but because it is AWESOME and effects people and is completely worth preserving for A LOT OF REASONS I won’t list all of right here. And in situations where musicians feel ENTITLED to something, like just being in an orchestra for the sake of being in the orchestra but not doing the practicing or the work involved OR the musicians involved are apathetic and just trying to earn a buck, IT DOES NOT HELP. It shows. It reflects in the sound and the morale of the group which in turn rubs off on an audience. And this sort of attitude, whether coming from the musician or the conductor *becomes giant squid of anger* is giving everybody in the universe a reason to NOT CARE and also NOT FUND these really important things. So. The best I can do is care, no matter what orchestra I play in, Civic included. And feel all the things, as was previously mentioned. I am so good at that)
But that also brings me around to this particular Pro: this will allow me to settle in a community where there are OTHER MUSICIANS. Other musicians who are MY AGE, some of whom perhaps want to create cool things and WEIRD SOUNDS. And, man. I need that right now.
Another Pro: living in Chicago. And the people and the things. And the food. The food, yes.
So. I’ll take it!
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